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Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, March 8, 2026

What Happens When Artists Are Paid to Create? Ireland Tried It.

(VP Kamala Harris: Art by Tamika Cody)
While scrolling TikTok recently, I came across a video that stopped me mid-swipe. I downloaded it and immediately knew it was worth writing about.

An artist was explaining something I had never heard of before. Ireland has a program that pays artists a weekly stipend just to create art. No deadlines. No quotas. No “prove this will make money." Just space to create.

The initiative is called the Basic Income for the Arts, a program launched by the Government of Ireland in 2022. Under it, selected artists receive about €325 per week to support their creative practice.

The idea is simple and radical in a world where many artists juggle multiple jobs just to pay the bills.

What if artists had financial flexibility to make more art?

Ireland first tested the idea through a pilot program. The results were strong enough that the government decided to make the Basic Income for the Arts permanent in 2026.

Artsy U.S. cities such as San Francisco and New York have tested similar programs. But Ireland's Culture Minister Patrick O'Donovan said the country's initiative is the first permanent one of its kind in the world, according to Reuters.

A TikTok That Sparked a Bigger Idea

The video that caught my attention was posted by Azriél Patricia Crews, an artist and entrepreneur, and the daughter of actor Terry Crews.

In the clip, she talks about how Ireland's program inspired a new idea she's working on.


Crews is in the midst of building a platform called SEELAH™
, which she describes as a profit-sharing ecosystem for artists.

Her goal is straightforward. End the long-running narrative of the "starving artist."

Instead of creators competing for scraps of exposure or chasing algorithms, the platform aims to allow artists to share in revenue generated within the ecosystem.

She calls it a "no more starving artists initiative."

Why This Conversation Matters

Artists have always helped shape culture, but the reality of being an artist has rarely been economically stable.

Musicians, painters, performers, and writers often create their most important work while holding down other jobs.

Researchers studying Ireland's program are looking at whether guaranteed income allows artists to create more work, remain in their fields longer, and experience less financial stress.

At the same time, entrepreneurs like Crews are exploring whether technology might offer another path forward.

Instead of relying on government support, digital platforms could create shared revenue models that allow artists to earn collectively.

Two Different Paths, One Big Question

Ireland's Basic Income for the Arts represents one approach through public policy. Platforms like Seelah represent another way through innovation.

Both are trying to answer the same question. How do we build a world where artists can create without constantly worrying about survival?

For anyone who believes art shapes culture, that question is worth paying attention to.




Saturday, March 7, 2026

Marcellous Lovelace: The Artist Behind the Album Cover of Jill Scott’s “To Whom This May Concern”

A closer look at the artist whose work caught my eye.



(Front cover of Jill Scott’s album To Whom This May Concern,
featuring artwork by Marcellous Lovelace. Photo by Tamika Cody.)


When my daughter surprised me with To Whom This May Concern on vinyl by Jill Scott, I was over the moon. For those of you who don’t know, Jill and I go way back. Her first album, Who Is Jill Scott? Words and Sounds Vol. 1 got me through an emotional divorce. Every album and collaboration since has taught me lessons about life, love, and what it means to be a grown-ass woman.


To Whom This May Concern landed in my lap on Feb. 13, 2026. Yes, my daughter thought ahead and made sure it arrived on the official release date. When I pulled the album out of its shipping box, the cover immediately caught my attention. The artwork is by Chicago artist Marcellous Lovelace, whose name appears in the lower right corner of the cover.


“This is what I miss about holding music in my hands,” I said to my daughter. “The artwork.”


In the digital age of music streaming services, with platforms like iTunes, Spotify, Tidal, and SoundCloud, people often miss out on that extra layer of a musician's creativity. The artwork that accompanies full albums tells a story.



(Back cover of Jill Scott’s album To Whom This May Concern. Photo by Tamika Cody.)

Curious about the artist, I wanted to learn more about Lovelace. During one of the podcasts Scott appeared on while promoting the album, I learned she discovered his work on Instagram. She slid into his DMs, and the rest is history. The piece she chose from Lovelace’s collection is titled "SHE IS BRAVE AND FREE.”


Who is Marcellous Lovelace?


Lovelace was born in Chicago and attended the School of the Art Institute of Chicago.


His Instagram bio reads: “Art of Marcellous Lovelace created to teach self-love and awareness of original people never conforming to Colonialism.”


On the Saatchi Art website, Lovelace explains that his work is rooted in “escaping the worst situation possible.” A few clicks later led me to his personal website, where he describes himself as an “Afro Urban Indigenous Folk Artist (AFRICAN BLACKNESS LIBERATION).”


Lovelace paints in mixed media using found materials. His work draws heavily from personal experience, including growing up in Roseland on Chicago's South Side and witnessing life in economically marginalized communities across America.


“This segregated, poverty-stricken environment helped me to develop over 400 images a year over the last 30 years of my life,” he shared. “My environment is so negative it helps me to create beauty from this struggle. I paint because it’s the only thing that feels good after feeling like I’m trapped in a world that has no hope.”


He uses everything from old pieces of paper to garbage cans, tires, mattresses, and construction debris from torn-down buildings.


The tragedies that occurred in the city where he was raised helped him reinterpret oppression across a wide range of surfaces. His work also aligns with long-standing African artistic traditions where material carries spirit, history, and function.


“My surfaces absorb the trauma, endurance, and lived reality of Black life in America,” he writes in his bio.


His work is inspired by African American artists such as Thornton Dial, Lonnie Holley, Elizabeth Catlett, Noah Purifoy, and Betye Saar, who used discarded materials as historical evidence against erasure, poverty, and racial violence.


Such an inspiring artist. And knowing the story behind the artwork makes Jill Scott’s To Whom This May Concern feel even richer. The music tells one story. Lovelace's painting tells another. Together, they feel like the same conversation.


Wednesday, June 7, 2017

The Man Inside the Purple Dinosaur

David Joyner knew he was destined to play Barney



If you grew up watching Barney & Friends, or parenthood started for you in the early 1990s, then you probably have encountered several earworm songs from the American children television series. 

David Joyner, who played Barney for 10 years, explained to Business Insider why "I Love You" was one of his favorite songs. Business Insider caught up with Joyner and he shared how his intuition led him to land the role of Barney the Purple Dinosaur.

The following video was initially published on BusinessInsider.com



Clearly, Joyner followed his inner voice. What about you? We'd love to hear your views in the comment box below. Or email your views to TCsViews@gmail.com.

Sunday, March 19, 2017

Hip-Hop + Ballet = Hiplet

article by Great Big Story

The dancers of the Chicago Multicultural Dance Center plié, pirouette and jeté to their own rhythm in a new form called Hiplet. The dance draws on both the movements of hip-hop and classical ballet technique and is performed on pointe shoes. 



To read more, go to http://www.greatbigstory.com/stories/hip-hop-en-pointe

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Friday, September 16, 2016

Behind the Canvas: The Creative Process of an Artist

The creative process of an artist has several components. Many of those elements consists of using five senses. However, did you know there are three more senses humankind rarely consider during the creative process?
See: What? There Are 8 Senses?? 
Emmett Wigglesworth is an 82 year-old New York based artist who sat down with Artz of Culturez TV to explain how some artists choose to send a "message" through their work using more than just their hearing, sight, smell, taste and touch. 





Are you an artist with the gift of being a messenger? We'd love to hear your creative process.

Leave your comments below or email your views or a voice memo to TCsViews@gmail.com.

Tuesday, July 19, 2016

Art Tip Tuesday: Cost of Shipping & Insuring Fine Art


Three costs that will affect the price of shipping fine art

by Brittany Goodwin

Moving fine art is a delicate process, and one that needs to go perfectly — both for peace of mind and for the sake of the work itself. 

There are several reputable companies offering fine art shipping in New York City, but not all will disclose fees to the casual shopper. 

There are three main costs that will affect the total price of transporting fine art: crating, shipping fees and insurance. And depending on the piece, any of these could be the largest source of cost.

For example, a highly valuable but small piece of art will have high insurance costs but low crating and shipping charges. A large heavy piece like a statue or installation will have higher crating charges and much higher shipping costs. 

But in all cases, the total cost of properly transporting the artwork will be small compared to its value. 

Crating Fine Art

Fine art should be shipped in a special crate designed for this purpose. It should never be shipped in a regular box, even with padding, nor should it be shipped in a crate that is too large. The crate should match the size of the piece.
Related Story: The Artistry of Moving Art
For standard size paintings and small statues, pre-made crates are available. The price varies and ranges from $150 to $260. For larger or oddly sized pieces, a custom crate will need to be built, which an art mover can build upon request. 

Shipping Costs

Once the art is crated the piece can be shipped through a commercial carrier, including the U.S. Post Office, UPS and FedEx. Another option is to hire a transportation service that specializes in moving unique items. 

Hiring a fine art shipping service means professionals will manage artwork at all stages of the move. Costs can be in the low hundreds for a standard oil painting or the mid to high hundreds for a larger piece. For very large or heavy pieces, costs may run up to $10,000 but this is rare. When shipping within the United States, most art fees are well under $1,000.

Insuring Fine Art Shipment

Insurance is a must for all fine art moving. With the U.S. Post Office or UPS, expect to pay insurance on top of the shipping charge. 

With a professional mover, typical insurance is included in the shipping costs. Expect insurance to run approximately 1% of the total value of the piece. 

The best way to get a more precise estimate is to speak directly to a fine art shipper. Note that exact prices will depend on the piece.

Brittany Goodwin


Brittany Goodwin is a digital marketing professional and freelance writer in the Greater Philadelphia area. She enjoys traveling and loves learning new things. Goodwin earned her Bachelor of Science degree in Marketing from Rutgers University.

Keep up with Goodwin on LinkedIn
Follow her on Twitter @go0dwinbrittany
And Instagram @goodwinbrittany  

Sunday, May 15, 2016

Basquiat's Multimillion Dollar Portriat


(Jean-Michel Basquiat Untitled, 1982)

It always amazes me how much a deceased artist makes at auctions.

A self-portrait by Jean-Michel Basquiat sold for a worldwide auction record of $57.3 million at a Christie's contemporary art sale in May, according to the Associate Press.
Basquiat's self-portrait, Untitled, 1982, which portrays the young artist as a fiery demonic figure, was snapped up by Japanese online retailer, Yusaku Maezawa.
Prior to the auction, it had a $40 million pre-sale estimate.

Various artists have made millions after their death, but where does all that money go? The family? An estate that divides the money into a non-profit organization?

Right now, I do not have the visible funds to acquire any of Basquiat's original works. But I wonder how much a print of Untitled cost? For now, I guess I'll have to admire Basquiat's work from a distance.

Related Stories: 


R
ead more here: http://www.ledger-enquirer.com/entertainment/article76873007.html#storylink=cpy

Wednesday, April 6, 2016

Monday, March 7, 2016

It's Never to Late to Pursue a Career in Art: Annie Frances Lee

                         Annie Frances Lee                                                                       Blue Monday
Artist Annie Frances Lee was born on March 3, 1935 in Gadsden, Ala. Raised by a single parent, she grew up in Chicago, Ill., and attended Wendell Phillips High School. 

Lee began painting at an early age, winning her first art competition at the age of 10. Lee was offered a four-year scholarship to attend Northwestern University after high school, but married instead and raised a family.

It was not until age 40 that Lee decided to pursue a career as an artist. She enrolled in Loop Junior College and completed her undergraduate work at Mundelein College in Chicago. 

After eight years of night classes, while working at Northwestern Railroad as a clerk in the engineering department, Lee earned her M.A. degree in interdisciplinary arts education from Loyola University. 

Lee’s railroad job inspired one of her most popular paintings, "Blue Monday," which depicts a woman struggling to pull herself out of bed on a Monday morning. Her trademarks are the animated emotion of the personalities in the artwork and the faces which are painted without features. 

At age 50, Lee had her first gallery show; she allowed prints to be made of four of her original paintings. Using her unique designs, Lee also developed figurines, high fashion dolls, decorative housewares, and kitchen tiles.

After showing her work in other galleries for a number of years, Lee opened Annie Lee and Friends Gallery where she displayed her works as well as the works of other artists. 

When several of her paintings appeared on the sets of popular television shows such as The Cosby Show and A Different World, the exposure helped popularize her work. Although she regularly received requests for public appearances, Lee preferred to appear at gallery shows; she also enjoyed visiting schools to encourage and inspire students. 

She passed away on November 14, 2014, at the age of 79.

Source: http://www.thehistorymakers.com/biography/annie-lee-41


Tuesday, March 1, 2016

The Artistry of Moving Art




3 Methods Professionals Use to Transport Fine Art

by Brittany Goodwin

Whether you're an artist or an art collector, we can all agree that original works of art are irreplaceable and invaluable. Art is extremely precious, whether it is an oil painting, a marble sculpture, or some other creative masterpiece, which makes it important to properly and safely transport it from place to place. And when you live in big artsy cities like Berlin, Chicago, Los Angeles, New York, or Paris, transporting fine works of art can be chaotic and worrisome because there is no easy way to move them without the risk of damage.

Artists and art curators can all relate to the struggles and frustrations of the delicate process of transporting art. So what can you do if you need to safely move a piece of fine art through a city where unexpected mishaps and accidents can happen? Hire a professional fine art mover! 

The following are three techniques that professional fine art movers use to safely and securely transport works of art.

Custom Built Crates

If you've crafted a piece of art that is more than a painting, you will get a peace-of-mind with a custom built crate, which can house any masterpiece. Custom built crates make it possible to move anything from large sculptures to delicate vintage musical instruments. Trusting the fine art movers to house your work in custom built crates is a sure fire way to get your piece to the next exhibition safely. 

Hoisting and Rigging

As you can imagine, there are major difficulties of getting a large work of art on a platform or a rooftop. To the average eye, the task may look impossible. However, all you need is the right type of manpower and the equipment to get that piece of work into position. Professional fine art movers have access to cranes and hoisting equipment to safely lift and place large works in their next exhibition hall. 

Handle With Care

Professional art movers will take care of your work with delicacy to ensure it will arrive to its next destination intact. Whether it is a framed painting or in a storage tube, you can rely on the professionals to safely handle it as if it were part of their own personal collection. 

With the above points, it is safe to say that you can let the professionals transport and move your art because no artist or art curator would want to risk damaging fine art by trying to move it themselves. Whether you are putting your art up for a public display or you're simply moving to a new location and need to take your work with you, be sure to get help from the professionals.
Brittany Goodwin



Brittany Goodwin is a digital marketing professional and freelance writer in the Greater Philadelphia area. She enjoys traveling and loves learning new things. Goodwin earned her Bachelor of Science degree in Marketing from Rutgers University.

Keep up with Goodwin on LinkedIn
Follow her on Twitter @go0dwinbrittany
And Instagram @goodwinbrittany  

Friday, January 22, 2016

Emerging Artist: Univrse


Every artist knows that in order to become great, you’ve got to put in the work. This week’s emerging artist, Univrse, figured out that he needed to take his passion for music to the next level, and to do that he knew he had to put in the work. 

The South Carolina native, who now calls Jersey City, NJ home, is the co-founder of the eclectic group, Emrld Swmp. One of the group’s first tracks, Monkey Jjump, featuring Mxrc Clxrk, hit SoundCloud in the summer of 2015. However, some music bloggers didn’t think that Univrse’s flow made the cut.

As he focused on acclimating to college freshman year and balancing his social life, Univrse had a yearning to work on his craft. After the release of Monkey Jjump, he decided to branch out to work on an individual project. 

Instead of partying and hanging out with the college crowd, Univrse returned home almost every weekend to his makeshift studio, where he wrote, recorded, and studied his craft way into the early morning hours. His hard work and dedication shows in the way he delivers his rhymes.

Univrse tapped producer Stimp-C for his newly released track Replay. The groove is mellow yet upbeat and the chorus is bound to stick in your brain. This time around, Univrse’s flow definitely made the cut. His voice is stronger, and his delivery is more confident. And it goes without saying that Univrse is a force to be reckoned with.

Take a listen:



Now Univrse may not be saying anything of substance in this track, but stay tuned because his powerful lyrics are on the way.


Follow Univrse on Twitter and Instagram: @univrse_ 

Are you an emerging artist that’s been putting in the work? E-mail your track to TCsViews@gmail.com

Friday, January 15, 2016

Emerging Artist: Jones



Another soulful singer from across the pond has hit the music scene. Cherie Jones, an East London native, caught my attention as I was scrolling through Hearst digital project Sweet on SnapChat's Discover page. 

Jones performed her original song, Hoops, on Huw Stephens Presents — Sweet Sessions. Hoops was produced by XO and Josh Record. Yes, Record is his real last name, which is perfect for a producer.

Jones' performance was accompanied by an electric guitar, which I personally prefer over her completed track on SoundCloud. 



During the sit down session with Huw Stephens, Jones said Hoops is about one person putting more into a relationship than the other. The lyrics sounds like we've all experienced this at one point and time in our lives ... right? "I got to jump through hoops to get to get to you."

Jones natural beauty shines gives her genuine raw talent a boost. Her voice, like her personality, is soft and soulful. Her personal style has a hint of the 1980s and early 1990s with her hi-waisted, loose fitting mom jeans, tank top and half messy bun.

I'm definitely looking forward to hearing and seeing more from this young British artist. 

If you like what you've seen and heard, keep up with Jones here:






If you're an Emerging Artist and would like to be featured on Artz of Culturez, e-mail your tracks to TCsViews@gmail.com.

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Monday, January 4, 2016

The Harlem Fine Arts Show Heads to NYC


Vinyl record artist, Lobyn Hamilton, is slated as one of the featured emerging artists. If you were paying attention, you may have seen his work on the hit show on Fox, Empire.


HARLEM, N.Y.

The Harlem Fine Arts Show is on its way to New York City and will set up shop at the historic Riverside Church. The show is known to be the largest of its kind featuring art from the African Diaspora.

The four-day traveling exhibition will have contemporary paintings, sculpture, and photography for sale, and is open to collectors, art enthusiasts, educators and professionals. The HFAS will showcase more than 80 national and international artists and galleries from Feb. 4 - 7, 2016. 

Wednesday, July 1, 2015

Misty Copeland Breaks Barriers One Pirouette at a Time


Misty Copeland appeared on my radar in September 2014 after I heard her story on National Public Radio. Morning Edition host, Steve Inskeep, had a captivating conversation with the ballerina about her book Firebird and what it’s like to be a Black ballerina.


On June 30, 2015, Copeland popped up again on my radar. Turns out that the 32 year-old dancer broke barriers and made history. Copeland was named principal dancer at the American Ballet Theater Company. She is the first Black-American female to hold this position.


As Copeland was pursuing her passion naysayers told her that her body was too bulky for ballet. She was told at the age of 13 that she was too old to continue her goals as a dancer. It makes me wonder what Copeland’s cynics are saying now. I bet they are wondering how this bulky, Black-American woman was promoted to principal dancer in her 30s.

It just goes to show that perseverance will get you exactly where you want to be in life. What are you waiting for?

Take a listen to Copeland’s one-to-one with Steve Inskeep, which initially aired on Sept. 9, 2014.


Thursday, June 4, 2015

Behind the Canvas: Raphael Rapior

(Raphael Rapior)
Portrait photographer, Raphael Rapior, sold nearly everything he owned to make his journey from Germany to New York City's art scene. He even sold his most prized possession – his camera.

However, Rapior's passion to snap faces of the living isn't driven by a big payday, he's inspired by by his younger brother. When he realized that his brother couldn't verbally express emotions, Rapior taught himself how to pay attention to his brother's facial expression. This gave Rapior the motivation to capture the emotions of people around the world. 

Rapior hopes to inspire people with his work as he snaps images and share stories of cultures you don't hear or see everyday. First stop... India, which inspired his NYC photography debut of In Shiva's Shadows.

Press the play button to see and hear more.




Would you sell everything you own to pursue your creative passion? Share your answers in the comment box, or e-mail your views to TCsViews@gmail.com.




Tuesday, April 28, 2015

And the Pulitzer Prize for Poetry Goes to …


National Poetry Month has been a time for spoken words, limericks and pindaric odes. With only a couple of days left to celebrate the month of versifiers, I’d like to share another poem from the Bedford-Stuyvesant, Brooklyn-based writer, Gregory Pardlo. What makes Pardlo so special? He is the winner of the 2015 Pulitzer Prize for poetry for his book Digest